The thinnest house in the world built between two tower blocks in Warsaw. The house measures 1.2 meters at its widest point and 71 centimeters at its narrowest. The building has been designed by Jakub Szczesny, who took his inspiration from the work of Israeli writer Etgar Keret. The new house is only 1.2 meters, but it comes with a bathroom, a kitchen and a bedroom. Architect Jakub Szczesny said that he designed the two-story aluminum and plastic house three years ago to fill a narrow space between a pre-war house and a modern apartment block in downtown Warsaw. The Foundation of Polish Modern Art and Warsaw Town Hall helped fund the project, which they consider an art work. But it may not be easy for the tenants. The triangular building runs 10 meters deep at the base and stands 9 meters tall. Metal and aluminum pipes hold the structure nearly 3 meters above the ground, and visitors will climb a metal staircase and squeeze through a hole to enter the building. The ground floor contains a toilet and shower, a kitchen with a sink and cupboards, a table for two, and a bean bag sofa. Another metal ladder goes to the second floor, which has a nearly double-size bed, a table and a chair. Szczesny told that the building achieves two goals: filing an empty city space and linking Warsaw's World War II tragedy, when more than half the city was destroyed, with modern buildings that went up afterward. The first tenant Etgar Keret, an Israeli writer whose ancestors died in Poland during the Holocaust, moved to the house. "It is a kind of a memorial to my family," said Keret, explaining that his mother's and father's families died in the Holocaust under Nazi Germany's occupation of Poland, and his paternal grandfather died in Warsaw's 1944 uprising against the Nazis. The structure has been named Keret House after the Israeli writer. He said he only visits Warsaw twice a year, so other tenants will be able to try out the tight quarters of the non-profit building for free, too.

The Crocus Group Holding has launched a project to build 14 skyscrapers at the 66-kilometer mark of the Moscow Ring Road, next to the multifunctional Crocus City complex. The new project is to boast a total area of 1 million square meters of realty, RBC daily reported, citing Emin Agalarov, Crocus Group Holding's deputy president. The first phase of the project, which is scheduled to be completed till 2016, is to include three high-rise buildings - a 51-story office skyscraper (137 thousand square meters), a residential complex of 500 apartments 50 thousand square meters) and Europe's largest Holiday Inn Hotel at 1,000 rooms (81 thousand square meters). The property is to also feature a restaurant, fitness center, spa and parking for 900 cars. All three are to be joined by a three-story-high walkway. The concept for the development was created by the holding's own architectural firm together with American architects Kling Stubbins. Investment in the initial phase is to be approximately US$ 3 billion. Crocus Group initially called the project "Crocus City Manhattan" when announcing it three years ago, but the company suspended the project, focusing its resources on the construction of facilities for the recent APEC summit. The project is now simply called the multifunctional complex, but, according to Agalarov, it will also be "reminiscent of New York." Recall that Emin Agalarov is married to Leyla Aliyeva, the elder daughter of Azerbaijani President Ilham Aliyev.

Christchurch New Zealand will be the home of one of the world's most bizarre building projects of 2012, a Cathedral made from cardboard. According to Church official website, work will start next week on a US$ 4.1 million temporary "Cardboard Cathedral" in Christchurch city center to replace the cathedral which was irreversibly damaged in last year's earthquake. The Cathedral will be fashioned from cardboard tubes, as well as timber beams and structural steel, and is expected to last 20 years. It is the largest "emergency structure" to be designed by Shigeru Ban who, with the support of associate architect Yoshie Narimatsu, has contributed his time free of charge and gifted the building's design to the cathedral, Anglican Diocese and city. Ban, known as "an emergency architect" who has built temporary houses in post-disaster centers, including Japan, Turkey, China, Italy, and Haiti said cardboard was the ideal building product for the new cathedral. "The strength of the building has nothing to do with the strength of the material," he said. Even concrete buildings can be destroyed by earthquakes very easily. But paper buildings cannot be destroyed by earthquakes. It's also consistently low-cost. Normally after disasters the price of building materials goes higher, but since this is not a traditional building material, it's very easy to get. Holmes Consulting structural engineer Jamie McGregor is pleased to be taking part in the construction. "It's not hard to motivate yourself. It's very exciting too to be involved in something like this, it's a great building it's going to be really cool. This thing's 25 meter high and it's very light so there are a lot of issues to work through, in terms of the construction method," Mr McGregor says. "It's going to take everything we've got I think." As for the old cathedral, it's still sitting half torn down in the city center. The High Court's due to make a decision on its fate next month. The Christchurch cardboard Cathedral is in inventive and inspirational project which has the potential to become an iconic landmark for Christchurch's imminent recovery.

When I. M. Pei's glass pyramid opened at the Louvre more than 20 years ago, many argued that this 21.3 meters tall structure had destroyed the classical beauty of one of the world's great museums. But today, as crowds wait on long lines outside the pyramid, which serves as the Louvre's main entrance, what once seemed audacious has become as accepted a part of the city's visual landscape as the Eiffel Tower or the Arc de Triomphe. Now the museum is again risking the public's wrath as it introduces the most radical architectural intervention since the pyramid in 1989. Designed to house new galleries for Islamic art, it consists of ground- and lower-ground-level interior spaces topped by a golden, undulating roof that seems to float within the neo-Classical Visconti Courtyard in the middle of the Louvre's south wing, right below the museum's most popular galleries, where the Mona Lisa and Veronese's "Wedding Feast of Cana" are hung. This deftly engineered design is the work of two architects, the Italian Mario Bellini and the Frenchman Rudy Ricciotti, who won an international competition to create the new wing in 2005. Seven years in the making, the US$ 125 million project, which opened on September 22. When the plans were first unveiled, the architects said, the roof resembled "a scarf floating within the space" - a somewhat loaded description, perhaps, considering that last year the French officially banned full veils in public places. The museum's "luminous veil," or "flying carpet" as it has also been called, covers some 2790 square meters of gallery space on the ground and lower floors. The new galleries, roughly four times as large as the space previously devoted to Islamic art at the Louvre, house a collection spanning 1,200 years of history, from the 7th through the 19th centuries, and includes glass works, ceramics, metalwork, books, manuscripts, textiles and carpets. The roof is actually constructed of a free-form lattice composed of 8,000 steel tubes and glass covered by gilded metal. The undulating canopy contains the open floor plan gallery space where objects are displayed in glass cabinets. A large staircase descends to the lower level where natural daylight seeps in around the edges. A significant amount of work for the project required the team to excavate down 12 meters without disturbing the palace's original foundation. The result is a cavernous space reminiscent of a tent illuminated with a soft golden light.

The expression ''timber top'' is taking on a new meaning in the building industry as the world's tallest wooden apartment tower nears completion. The company "Lend Lease" two weeks ago hoisted the final panel of cross-laminate timber (CLT) in place on the 10th story of its innovative new "Forte" building in Docklands. Victoria Harbour. About his plans "Lend Lease" announced 4 months ago and now the building is already ready. The US$ 11 million project makes use of the lightweight CLT building material, commonly used in Europe, which has a structural strength similar to concrete and steel. The company maintains it will have cut ordinary construction times by 30 percent once the internal fit out of the 32-meter tall, 10-storey apartment is finished in November. Being the first of its kind in Australia, and the highest in the world when it opens its doors "Forte" will be a test case for residential property buyers unfamiliar with wooden building materials. Lend Lease made a deliberate decision not to sell apartments in the building until it was complete, said head of operations development Daryl Patterson. It wanted to avoid misconceptions that "Forte" was like a timber-frame house. ''It's very important for people to be able to come and touch and feel the product and understand that it's as solid as any other apartment,'' he said. The company also treated "Forte" like a pilot project, learning while building. It discovered just how effective modular components were in CLT construction. Forte's modular bathrooms were manufactured in Brisbane and trucked to the site. ''The toilets are in. The taps are in. The shower screens are in. The mirrors are up on the wall,'' Mr Patterson said. Once complete, Forte will house 23 boutique residential apartments and 4 townhouses with prices ranging from US$ 430 - US$ 795 thousand. Currently one of the highest modern wooden buildings is in London. Called the Stadthaus, Murray Grove, it's a nine-story residential building that stands at just less than 30 meters (98 feet). Even the lift shafts and stairwells are made from wood. Architect Michael Green, one of three principals at McFarlane Green Biggar Architecture + Design (MGB), also has plans for a 30-story wooden skyscraper in Vancouver.